{"title":"Tutorial Previews","description":"","products":[{"product_id":"boats-on-the-water-preview","title":"Boats on the Water : Preview","description":"\u003cp\u003eIf you are very new to watercolour, or possibly you haven't picked up a brush in many years, then start here!\u003c\/p\u003e\n\u003cp\u003eThis tutorial will really lay the foundations for everything else to come. 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In this tutorial, I will take you right back to the start of how we are observing and analysing our subject - looking for simple shapes and tones, then how we translate this into a painting.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eI highly recommend this tutorial as it will be a great introduction to this way of looking, as well as providing the foundations for everything else to come.\u003c\/p\u003e","brand":"School of Watercolour","offers":[{"title":"Default Title","offer_id":40706391572531,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0561\/3417\/2723\/products\/Egret_Bird_Thumb_bb6e5adb-31b7-4734-920a-9d44b6ffd7bf.jpg?v=1657789996"},{"product_id":"simple-light-shadow-lion-preview","title":"Simple Light \u0026 Shadow - Lion : Preview","description":"\u003cp\u003eSo much of watercolour is about learning to look for and paint light and shadows. 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Learning to look for a light and shadow pattern is a great way to simplify any subject, whilst at the same time actually creating a more dramatic and powerful watercolour painting.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWe take a good look at using the simple 3-stage process of lights - gentle shadow - deep shadow. Far from the only way to paint of course, but this process is a great place to start in understanding light and shadow, how to look for it, and paint it; ultimately laying the foundations for more creative freedom as your painting evolves and develops.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis tutorial also continues exploring the power of using a more limited palette, using only three main colours to create this piece. 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I enjoyed it a lot!\u003c\/p\u003e","brand":"School of Watercolour","offers":[{"title":"Default Title","offer_id":40933676941363,"sku":"cheetah-preview","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0561\/3417\/2723\/products\/Cheetah_Thumb_668ad0bd-8930-43ba-a429-a1a8eb374482.jpg?v=1663825740"},{"product_id":"chef-light-shadow-on-a-face-preview","title":"Chef - Light \u0026 Shadow on a Face : Preview","description":"\u003cp\u003eIn this tutorial we continue our exploration of simple tonal values but this time to tackle a very complex subject, possibly one of the most complex subjects: the human face. Don't be scared though, we can still use a simple process and a simple set of observations to tackle a subject like this.\u003c\/p\u003e\n\u003cp\u003eA face can feel intimidating to paint. There are often a lot of subtle tonal variations and colours. We also have the placement of the features to contend with and in this case the proportions in relation to the rest of the body etc (don't forget there is a line drawing in the download pack. This can take out the drawing element and allow you to focus on getting to grips with the painting elements).\u003c\/p\u003e\n\u003cp\u003eI am not going to pretend this isn't a tricky subject, but the point here is to take the simple tonal value process from previous tutorials and see how we can apply it to a more complex subject; actually, this approach can simplify our subject and how using tonal values in this way gives us a clear process to follow. Having a clear process to follow can make the whole painting experience much easier!\u003c\/p\u003e\n\u003cp\u003eI use a tonal study and a few examples to explain the thoughts and theory around tonal values in relation to this subject. I hope you will find this useful. 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This also frees us up to play with the paint elsewhere.\u003c\/p\u003e\n\u003cp\u003eWe cover the usual techniques in further detail but there is a lot of opportunity to explore the “dry brush” technique in this subject. A very useful way to use the brush and paint in watercolours.\u003c\/p\u003e\n\u003cp\u003eOther than this we focus on the usual approach to look for and painting light shadow, how to bring the painting together and those all important finishing touches, including using opaque white right at the end.\u003c\/p\u003e","brand":"School of Watercolour","offers":[{"title":"Default Title","offer_id":41089497759795,"sku":"winter-scene-preview","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0561\/3417\/2723\/products\/Winter_Scene_Thumb_6a866fc4-2235-40ae-b18c-e4e6caad93e6.jpg?v=1667462103"},{"product_id":"rugged-coastline-following-our-instincts-preview","title":"Rugged Coastline - Following our Instincts : Preview","description":"\u003cp\u003eIn this tutorial, we get bold and expressive with a rugged coastline.\u003c\/p\u003e\n\u003cp\u003eWhilst there will still be a focus on tonal values (as always!) and colour mixing, I talk about following our instincts a little more and not being quite so logical whilst we paint.\u003c\/p\u003e\n\u003cp\u003eThis is also an opportunity to look at breaking away from our photo to “create” a painting with a life of its own.\u003c\/p\u003e\n\u003cp\u003eBeyond this we will also look at capturing light and atmosphere, the contrast of warm and cool colours, and working wet in wet in smaller areas.\u003c\/p\u003e\n\u003cp\u003eHave fun with this one. I certainly did!!\u003c\/p\u003e","brand":"School of Watercolour","offers":[{"title":"Default Title","offer_id":41112734433331,"sku":"rugged_coastline_","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0561\/3417\/2723\/products\/Rugged_Coastline_Thumb_034a561f-0b9e-48af-a7fd-a522ccf05e70.jpg?v=1668672727"},{"product_id":"throwing-the-paint-around-a-bowl-of-apples-preview","title":"Throwing the Paint Around - A Bowl of Apples : Preview","description":"\u003cp\u003eWe’ve been building up the blocks of theory, often taking a more logical approach to our subject, which is important, especially when starting out. 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Ultimately this is about getting to know our medium more!\u003c\/p\u003e\n\u003cp\u003eThe large area of feathers in the body turns out to be a wonderful place to explore working wet in wet for longer. The deep rich darks go in whilst this area is still damp.\u003c\/p\u003e\n\u003cp\u003eFinally, we look at making sense of the more abstract areas using dry brushwork, a few finishing touches, and making the most of our focal point, in this case, the head!\u003c\/p\u003e\n\u003cp\u003eAn extremely fun one so I hope you enjoy the play - and don't forget, you don't have to follow mine exactly!! 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Green can very easily dominate a painting, and it is very easy for all our greens to become one big mess. However, with a few basic pointers on colour choices and how to mix our greens, plus a few other little tips and tricks, hopefully, we should start to really enjoy the subtlety and endless options of green, and with this start to see some better results in very green subjects!\u003c\/p\u003e\n\u003cp\u003eThe second principle is aerial perspective. In this case with a particular focus on using colour to create a sense of atmosphere, depth and recession. 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We really go to town with the colours on this one, but all the time focusing on simple light \u0026amp; shadow to make it work.\u003c\/p\u003e\n\u003cp\u003eThe other main focus of this tutorial is on edges - firstly creating slightly softer and fuzzier edges in the shadows by working more wet-in-wet - secondly by taking some time at the start to consider how the Rhino is going to interact with the background.\u003c\/p\u003e\n\u003cp\u003eWith a bit of pre-planning, we can get all four types of edges into the painting. This is a simple way to immediately elevate your painting to the next level!\u003c\/p\u003e\n\u003cp\u003eThese edges refer to how we are seeing the object (in this case the rhino) against its background. 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Such an emotive and beautiful scene and a much-anticipated subject in the school!\u003c\/p\u003e\n\u003cp\u003eEven if not specifically a bluebell wood, I couldn’t even begin to count how many students have brought along a scene similar to this to paint in workshops and courses.\u003c\/p\u003e\n\u003cp\u003eIt’s easy to see why and I think because of its \"prettiness\" people assume it is an easy subject, but it can be littered with potential pitfalls, particularly in watercolour.\u003c\/p\u003e\n\u003cp\u003eIn our favour is the fact the scene is backlit, which means we can focus on painting dark over light. This makes things significantly easier as watercolourists; but the biggest potential pitfall is due to it being a very complex scene - it can quickly become much too busy and extremely overworked. So simplification is absolutely key here and at the heart of this particular tutorial.\u003c\/p\u003e\n\u003cp\u003eWe kick off with flowing washes of lighter tones using lots of lovely strong colours. We then build in a few deeper tones wet in wet.\u003c\/p\u003e\n\u003cp\u003eThen the tricky but fun part is using those shadows to make the scene appear, keeping the tonal values extremely simple so that the painting has the illusion of complexity and depth, and so that the painting “holds together” (i.e doesn’t become too fussy and overworked)\u003c\/p\u003e\n\u003cp\u003eThere’s huge scope for lots of fun wet-in-wet work in the shadows here, as well as plenty of opportunity to play with the paint and brush. Focus on simple tonal values and this one will be a blast. 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It’s a fantastic opportunity to look at a few different principles in action. All of course ones you can bring into your own painting, whatever subject and style.\u003c\/p\u003e\n\u003cp\u003eFirst up, this is a little continuation of figures in a setting. They are an interesting size of figures: not so large we need to worry about features, yet large enough to inject plenty of gesture and character into them, plus some fun details, to make them really pop!\u003c\/p\u003e\n\u003cp\u003eWe will also take a closer look at painting water. Not only how to tackle reflections in a very simple yet highly effective way, but also how to give a sense of light and gentle movement to the water's surface.\u003c\/p\u003e\n\u003cp\u003eFinally, as is often the case, we look at simplifying a complex scene to create a concise and working painting. I show you how to analyse your subject to get the best out of it for your vision of the scene.\u003c\/p\u003e\n\u003cp\u003eAll this and lots more. 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This bridge and flowers scene is part 2 of 4 on this topic, along with an in-depth separate video on the theory element of green mixing.\u003c\/p\u003e\n\u003cp\u003eIt is so easy to have green dominate a painting, in particular, one shade of green can take over. In this tutorial, we will look at how to create variety and depth in our greens - stretching the cool and warm versions of green to do this. As well as finding a balance between bright and bold greens versus more subdued greens.\u003c\/p\u003e\n\u003cp\u003eAs a cheeky bonus, there are two attempts at this subject; I talk you through how to analyse a painting which is less successful, learn from it, and then bring these lessons into our next paintings in a positive way.\u003c\/p\u003e\n\u003cp\u003eSee you there!\u003c\/p\u003e","brand":"School of Watercolour","offers":[{"title":"Default Title","offer_id":41887353372723,"sku":"bridge_flowers_mixing_greens-preview","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0561\/3417\/2723\/files\/Bridge_and_Flowers_Thumb_4477bb52-a959-4342-85fb-382d1da6348f.jpg?v=1711701782"},{"product_id":"autumn-landscape-mixing-greens-preview","title":"Autumn Landscape : Mixing Greens - Preview","description":"\u003cp\u003eJoin me in painting this autumnal landscape where we continue our adventure into mixing and using greens.\u003c\/p\u003e\n\u003cp\u003eNot all greens have to be either big and bright, or muted and moody, there’s a wonderful array of greens that are colourful yet subtle, and in this case, often drifting into unusual greens and eventually into browns and oranges.\u003c\/p\u003e\n\u003cp\u003eI naturally love these sorts of colours and balancing them with the brighter bolder greens in strong sunlight is so much fun. Combining these colours with a cohesive pattern of shadow, simplification in some areas, and a strong focal, we get a very striking end result.\u003c\/p\u003e","brand":"School of Watercolour","offers":[{"title":"Default Title","offer_id":42062201880627,"sku":"autumn_landscape_mixing_greens-preview","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0561\/3417\/2723\/files\/Autumn_Landscape-Mixing_Greens-Thumb_e1b0193d-07ad-4def-a53e-496da1a055e4.jpg?v=1713418746"},{"product_id":"lily-pond-mixing-greens-preview","title":"Lily Pond : Mixing Greens - Preview","description":"\u003cp\u003eHow do we approach a scene when there is an overriding harmony of green, yet still keep it interesting with just enough variation? \u003c\/p\u003e\n\u003cp\u003eJoin me in painting a very evocative and undeniably wonderful subject of a lily pond to find out.\u003c\/p\u003e\n\u003cp\u003eIn the fourth and final part (for now) on mixing and using greens we look at how to create depth with a subtle variety of greens, whilst still allowing an overall green colour to dominate the painting.\u003c\/p\u003e\n\u003cp\u003eAs well as all the usual principles and elements of watercolour I also touch on how to create a painting using multiple reference photos; what considerations there are and how do we pull it all together.\u003c\/p\u003e\n\u003cp\u003eI love the end result of this one and there’s plenty wrapped up in it too.\u003c\/p\u003e","brand":"School of Watercolour","offers":[{"title":"Default Title","offer_id":42156505301043,"sku":"lily_pond_preview","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0561\/3417\/2723\/files\/Lily_Pond_Thumb_f3e94deb-c5be-4d24-8e1d-28ad634da3a1.jpg?v=1714587753"},{"product_id":"painting-flowers-techniques-colours-brushwork-preview","title":"Painting Flowers : Techniques, Colours \u0026 Brushwork - Preview","description":"\u003cp\u003eJoin me in painting a selection of flower studies - a fun and free subject that in this case is a wonderful opportunity to look at a wide range of techniques and approaches, as well as having a lot of fun (which is what watercolour is all about!!)\u003c\/p\u003e\n\u003cp\u003eI love doing pages of studies like this, by moving from one to the next relatively swiftly, we can explore lots of interesting colour combos inspired by nature.\u003c\/p\u003e\n\u003cp\u003eWhilst focusing on creating simple shapes (with no drawing first), using plenty of wet into wet, we naturally hone our brushwork and simplification too.\u003c\/p\u003e\n\u003cp\u003eEven if you’re not the biggest fan of painting flowers I highly recommend joining me as all of the key principles and techniques of watercolour are wrapped up in this one!\u003c\/p\u003e\n\u003cp\u003eSee you there!\u003c\/p\u003e\n\u003c!----\u003e","brand":"School of Watercolour","offers":[{"title":"Default Title","offer_id":42238514823219,"sku":"painting-flowers-techniques-colours-brushwork-preview","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0561\/3417\/2723\/files\/Flowers_Thumb_8f092cdc-ec5f-46ac-ad86-61bc641b5f53.jpg?v=1715884305"}],"url":"https:\/\/schoolofwatercolour.co.uk\/en-ca\/collections\/tutorial-previews-members.oembed?page=5","provider":"Tom Shepherd School of Watercolour","version":"1.0","type":"link"}